The recipe to memorable architecture
Peter Zumthor’s
excerpt on “Atmospheres” breaks down architecture into some of its more core
values within design. Within the article, something I found inspiring was his break
down of materiality as if it were a science experiment, or a recipe for a delicious
apple pie. “I take a certain amount of oak and a different amount of tufa, and
then add something else: three grams of silver, a key”, the micro and macro
materiality decision made in a building are some of its core abilities to
memorable.
In a sea of architecture (the city) it has become more difficult
then ever before to have a piece of architecture stand out from the rest. Zumthor speaks to the ability for a building to be memorable simply by a small, but
what he feels to be crucial counter-top detail and its proximity to the wall. Heavy
materials paired with light materials or light materials paired with other
light materials, there are a thousand ways to put materials next to each other,
but each architect has their own design input on what that should look like.
Zumthor’s choices to almost create a pattern of heavy and light allows for the
heavy to stand out as a callout in a light ground, almost as if the heavy protrudes
out of the light. In my opinion, leveraging materials based on their pure physical
definition to imply almost a metaphysical atmosphere creates a truly memorable
building. Whether it is a micro or macro definition, the ability to create a
narrative throughout a piece of architecture like Zumthor does is truly
inspiring.
There is something great to how he speaks about architecture. The materials and connections between them, whether it be on that broad scale or zooming into the details. There is a point at which everything or at least something, as he seems to point, can make an impact on your experience and make the work notable. The craft and the quality he points out and creates himself is what can be touching.
ReplyDeleteI think you have the right idea about materiality. Zumthor started saying "Beauty is in the eye of the beholder" - but then he took back the statement, saying he really doesn't believe that anymore because "we perceive atmosphere through our emotional sensibility - a form of perception that works incredibly quick". So as architects, its our duty to know which materials make the atmosphere the best and play to people's emotional sensibilities. This means knowing the contrast and qualities these materials have to other materials.
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