"dO y0u eVeN gO hEre?"




   As explained in "The Culture of Congestion", Rem Koolhaas discovers one of Manhattan's most "techno-psychic" machines, the Downtown Athletic Club. With its experimentally placed program, the building could be viewed as "cool architecture” from the exterior with its standard skyscraper look, but the interior does not follow this rigid form. This congestion and madness in section shows chaos within a box, which some might say is genius and others may argue, is overly exaggerated. 

I find these views of form follows function to be fascinating because I often question how our modern day architecture will be criticized 100 years from now. In my opinion, any kind of architecture can follow logic and theory, but it is up to the individual and society to determine what role it plays in the present and what it will become in the future. 

I am the most drawn to the Athletic Club because of its main purpose to the rich and wealthy and the stigma that places. When you think of a “rich, white country club man” there is often a “snobby” or “arrogant”  stereotype attached. This brings me to the analogy of how some architects today can be so quick to judge and arrogant on a theoretical basis, but then having nothing to back themselves with or solutions to the so-called problem they are addressing.

Comments

  1. I also am intrigued by this forever-debate of form vs function... and I wonder if we are missing something. Koolhaas seemed to edge on the perspective that it's not really about form following function or function following form, but it's program that informs both. I think that your questioning about how this form vs. function debate will be viewed 100 years from now is totally valid but what is the element that comes before either? For me, I believe that it could be climate. Form and function both following climate constraints for passive heating, cooling, and lighting.

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    1. I like the debate of form following function vs. function following form. But more than that I like how Koolhaas suggests neither. I think we could go as far as to say that he would appreciate 'form deceiving the viewer from function'. I think that 'form follows function' takes out the viewer/interaction of humans (the living part of architecture that will have an experience and opinion). Koolhaas' manifesto is forcing the analysis of buildings at the human scale.

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    1. I am interested in your concluding thought of those that have most philosophers speak with little support. Koolhaas contradicts this in a beautiful way of teetering in thought that is expressed through his work based on his observations over time and how he interprets the experiences of people.

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