Reading between the Redlines




A common practice in architecture is the process of redlining. Redlining helps correct designs and drawings, in addition to eliminating the unnecessary. I found “Junkspace” so loaded down with… well, “junk” itself that I found it difficult to read. I understand that Koolhaas authored this text in a way that reflects the chaotic, multi-layered nature of the junkspace he is describing, but I think that there is still meaning that can be extracted. As you can see from the photo I uploaded, around half of the example page of writing remains after redlining; this is the substance of what Koolhaas is trying to say. In much the same way, I think that junkspace does have substance to it. I do not believe that every built structure has to be a work of “Architecture” with a capital A. There are plenty of non-architectural spaces and programs that function just fine, even though they clash with architects’ design sensibilities. Junkspace derives from a need or desire. By delegitimizing this kind of non-architecture, we delegitimize the needs that created them: functionality, efficiency, rapidity. These are very real issues that have to be satisfied. We cannot simply ignore them because they have spawned non-architectural junkspace or out of some desire to return to an archaic form of practicing architecture out of misguided nostalgia. Much in the same way that I found meaning in Koolhaas’s writing by eliminating the noise, we must find the meaning in junkspace. There is, somewhere amidst the chaos, a lesson to be learned.

Comments

  1. That is a really cool experiment. My question, thought, is wheter the noise that you eliminate when you readline is actually the essence of junkspace. If we clean it and organizing it might just become something else.

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