Curing the sick city
While trying to digest Koolhaas’ continual back and forth between
revulsion and euphoric metaphors in Junkspace,
I found that Fredrick Jameson’s Future
City helped clarify what Koolhaas was forcing us to reconcile. We
must first realize that the built environment is a never ending process of
modernization and its construction is a reflection of what is happening in our
society, albeit maybe one step behind at times. As a solution to modernization
and more specifically consumerism, the architecture that is supposed to accommodate
us lacks true value in the sense of phenomenology. The experiences people have
in these places forego any true fulfillment, they fail to give us a chance at
discovering Utopia. The problem is that these buildings become a patchwork of
re-(insert operative verb here): restore, rearrange, redesign, renovate, etc.
It’s an ever repeating process where program and dimensions of space get lost
and die and then repeated until Utopia is served. But is Utopia even
something that can be achieved? Is there something beyond Utopia once we arrive
there? Only time will tell, and hopefully architecture is what feeds it.
By bringing this approach to other typologies that have essentially
become shopping malls, like airports, we can start to build a phenomenology that
is congruent with what Koolhaas hammers into us throughout the pages of Junkspace. For example, Morphosis’
Hanking Tower in Shenzhen is an example of this architectural and societal
evolution of space: an overlapping density of shopping, office, residential,
and cultural programs working synergistically. Not to mention the massive atrium
central to the tower is reminiscent of the one first experienced in John Portman’s
Marriot Marquis in Atlanta, GA. I must admit that without the capitalistic
intelligence of people like John Portman, what one may perceive as greed but
others may describe as seizing opportunity (and beyond any tax incentives that
may be involved) the developments and designs of John Portman helped shift the dialogue
we have with futuristic cities, building momentum toward a thoughtful plan, readjusting
the paradigm of urban spaces and making them more sensible to human experience.
Not only is this process cohesive with the capitalistic nature of modernization and the consumerism that has been programmed into our very existence, but the architecture that houses this becomes an organism for which a Utopian society can develop: an overlapping of people, spaces, program, and events, all encased within the confines of a vertical mixing bowl of engagement, interaction, entertainment, and culture. If we look at Jerde, as pointed out in Future City, and his work with shopping malls and urban spaces, his philosophy is summed up by an equation:
CityMaking = Living + Wandering + Working + Gathering +
Connecting.
I think this ethos is one that needs to be followed, explored, and implemented at its highest quality in order to cure the sick city.
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