Anthony Bourdain, Waffle House, and the Human Condition
Edward Hopper's Nighthawks, an American classic
"In the movement from low art to high art lies an element of the deferral of judgment. Judgment is withheld in the interest of understanding and receptivity. This is an exciting heuristic technique but also a dangerous one since liking the whole of pop culture is as irrational as hating the whole of it, and it calls forth the vision of a general and indiscriminate hopping on the pop bandwagon, where everything is good and judgment is abandoned rather than deferred. Yet artists, architects, actors, must judge, albeit, one hopes, with a sigh. After a decent interval, suitable criteria must grow out of the new source. Judgment is merely deferred to make subsequent judgments more sensitive."
Denise Scott Brown, Learning from Pop
You know what was a good show? Frasier. For those unfamiliar, here’s the gist: it’s two uppity brothers, both psychiatrists, who, as described by Wikipedia, “have expensive tastes, intellectual interests, and high opinions of themselves” and who are constantly finding themselves at odds with, among other things, the tastes and practices of the “regular” people in their orbit and of society at large. So they’re snobs and it’s funny because the real world is a tough place for a snob.
There’s an episode in which there’s a minor plotline where one of the brothers becomes uncharacteristically obsessed with fast food. His attempted rationalization results in the following exchange:
Daphne Moon : I guess he's got the fast food bug.Dr. Frasier Crane : And which one would that be? E. coli?Dr. Niles Crane : Now, keep an open mind. After all, we've embraced the peasant cuisine of Italy and France, why shun the peasants in our own back yard?Dr. Frasier Crane : You've changed, Niles.Daphne Moon : He hasn't changed that much. He sent back his Big Slurp.
Re the ordinary, keeping an open mind is a hard thing to do. It’s easy to embrace the accessible for the sake of convenience and just as easy to dismiss it as nothing more than that. Like there’s a hierarchy that exists that separates ordinary things from high design and high culture. And, in a lot of ways, there is, and I’m not trying start a whole “is this art?” thing.
What I am trying to say, though, is that what Denise Scott Brown writes in the “Hop on Pop” passage of Learning from Pop is really important to me because it’s, or at least, should be, a central tenet of critical thinking, especially in the context of design. I’m not saying that the fact that something is popular means that we should hold it in particular esteem (obviously), but because popularity is, inherently, the result of widespread adoption, it implies that the popular thing in question is popular because it satisfies some set of requirements that is overwhelmingly recurrent out there in the world. There’s a tremendous amount that we can learn about the human condition by studying the success and failure of “ordinary” things.
https://www.youtube.com/watch?v=bct8stbZafI&feature=share
Unaware that Bourdain and Sean Brock were in that Waffle House. Stephen Colbert and Sturgill Simpson also had a bout running around in that same exact building. (https://www.youtube.com/watch?v=L9WBVULoic) It's had a lot of screen time for a Waffle House.
ReplyDeleteThis post has baring poignancy about the merits of pop-culture in exposing some aspects of the soul of a culture--though that may sound especially kitchy and ironic in regards to the Waffle House. But there is some truth to it's belovedness as a place which people seek to return to, not for it's architecture but for its predictability and comfort. Whether wasted or trying to get your hash browns smothered, covered and capped, people seem to keep coming back (and i may or may not be one of them). Funny post, enjoyable read!
Oh man, I didn't know about the Colbert/Simpson thing. That's great!
DeleteI was particularly drawn to the passage you pulled from "Learning from Pop" as well. Pop culture has artistic value, I feel that is up to the observer what they interpret from it. A memory or feeling is specific to each individual. Emotionally, physically, etc., people are just chasing sensation and familiarity. Whether it's architecture, a piece of art, or waffle houses $8 check for disgusting amounts of food, humans seek places and things that bring something out of them. RIP Bourdain, one of my favorite personalities. Great read and great analogies here.
ReplyDeleteThanks George! Loved the comment!
ReplyDeleteI think that your deduction of "popularity" is spot on, but I think too that popularity starts with the notion that the thing that is popular has some aspect to it that is drawn to the person who is initiating their contact with the popular thing. A popular video game is popular for those who enjoy video games, a popular song is for those who care to listen to the genre, the best pizza place in town is for those who even remotely like pizza. I think where all the value comes in is when you have someone who hates pizza because they don't like cheese and they take all the cheese off and turn it into something they do enjoy; much like in our built environment when we design spaces for interaction and the occupant takes that space and uses it completely differently based on his or her preferences. I think that's where new trends are born.
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