"Pickle Architecture"
... Of course learning from what’s there is subject to the caveatsand limitations of all behavioristic analysis—one is surveying behavior which isconstrained, it is not what people might do in other conditions. The poor do notwillingly live in tenements and maybe the middle classes don’t willingly live inLevittowns; perhaps the Georgian-styling is less pertinent to the townhouse residentthan is the rent. In times of housing shortage this is a particularly forceful argumentagainst architectural behaviorism since people can’t vote against a particular offeringby staying away if there is no alternative. To counteract this danger one mustsearch for comparison environments where for some reason the constraints do nothold. There are environments which suggest what economically constrainedgroups’ tastes might be if they were less constrained. They are the nouveau richeenvironments; Hollywood for a former era, Las Vegas for today, and the homes offilm stars, sportsmen, and other groups where upward mobility may resemble verticaltakeoff, yet where maintenance of previous value systems is encouraged.
Another source is physical backgrounds in the mass media,movies, soap operas, pickle and furniture polish ads. Here the aim is not to sellhouses but something else, and the background represents someone’s (MadisonAvenue’s?) idea of what pickle buyers or soap opera watchers want in a house...
- Denise Scott Brown, Learning From Pop (1971)
I think assessing needs and understanding economical constraints is incredibly important in problem solving as well as learning to thoughtfully market ideas. Taking cues from pop culture to understand what people want and need in order to get them to buy things, or possibly agree with architecture, I think was a successful strategy and might still have some relevance today.
Although I can agree counter arguments can be made to this article, especially when Scott Brown discusses the environment and uses Las Vegas as a reference for design, I think the voice is written with respect to a capitalist economy and political system and is still completely relevant to architectural analysis in the United States today.
What sells us pickles? What sells us Architecture?
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