Shameless Tokyo
Made in Tokyo was an incredible read that caused a major riff in my mind. Throughout my architectural education, I feel like it was engraved to associate Japanese architecture with intention and precision. The greats like Tadao Ando and Kengo Kuma are masters in craft and detail so I guess I assumed Tokyo was 9 million people that desired the highest tech and well-crafted spaces in the planet. Instead, this guide introduces the shameless spatial compositions that are custom to the citizens of Tokyo and their expectations of what built space should be.
A collaged city layered with unusual spaces and
relationships, Tokyo is a city “where cultural interest is low, [and] interest
in practical issues is high”. At first this sounds like a nightmare to any architect
or creative person in general but learning about the emphasis that this culture
places on the “second role” is what is so intriguing. From baseball batting
cages next to spaghetti shops to a driving school on top of a double story
supermarket, spatial relationships and closed envelopes are challenged by Tokyo
in sharp contrast to the rest of the world. The project from the guide that
most stood out to me was the “Electric Passage” department store built into the
elevated expressway. A combination so uniquely cool and yet so typical it seems
for the passing people in the space. A cultural acceptance that is anything but
similar to the mindset of an outsider.
It is hard to not think about our first semester COTE 10
project and think about the reactions we and external reviewers had about the sites
situated underneath an existing highway infrastructure. It feels a bit silly
that we constantly heard how it was either the most sustainable design a person
has heard or the most ridiculous waste of time for a site nobody would ever
use. Yet little shameless Tokyo 6,000 miles away has possibly come up with the
most sustainable and community centric design of us all. They successfully
utilized an existing expressway infrastructure that is needed for the structure
of the department store, but also the department store is a necessity for the
expressway to justify its presence in a heavy commercial area. A beautiful
relationship between ugly architecture, uglier engineering, and awkward public
spaces so why is it just so damn beautiful?! It is because Tokyo may not design
to the community standards that we as westerners envision, but it fits their
practical emphasis on engineering and multi-use design that makes this and so
many other examples, successful.
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