Subtle flex that I've been to Denmark

 

I am still a little lost on the whole critical regionalism thing.

I understand the merit and meaning behind the theory, but to me, it does not hold enough value as it could. I believe critical regionalism merely sets the stage or “framework” for some of the larger issues that need to be addressed through architecture. These issues being environmental, cultural, and emotional responses. So, without mimicking the past or abstracting the region completely, how do we as designers really create a regionalism that responds to all three of these topics?




As someone who has visited Bagsvaerd Church, this example really helped me to examine critical regionalism under this lens. I remember taking a transit bus from Copenhagen, north to a much smaller town with a lot fewer people. We walked from the transit stop to the church quite seamlessly as there was no grand entrance or vista that leads you directly into the sacred space like that of Grundtvig’s Church (a place I visited within the same day). The “wow” moment for Bagsvaerd was the beautiful cloud-like space that was implemented within. This demonstrates the intention of the space and gives that grand moment to the users of the church rather than tourists trying to get the perfect picture on the outside. Utzon’s use of common materials and the simplistic placing of the church in the urban fabric check the cultural and emotional boxes for me. I think I am missing the environmental response as I think that is something in architecture we cannot forget, and can actually use to our advantage.

Comments

  1. Rachel - I really appreciate this blog. In your opening paragraph : "These issues being environmental, cultural, and emotional responses. So, without mimicking the past or abstracting the region completely, how do we as designers really create a regionalism that responds to all three of these topics?" - this is good and really valid in my opinion! I too had a hard time at first with Critical Regionalism, but I like how you were able to connect a personal experience with this idea, and the three topics you previously mentioned.

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  2. Rachel- To be honest your title was a little click-bait(ish) but I love it. Also, minor flex, I've been to Denmark too but didn't end up going to this church. I appreciate how you pulled from your own experiences to conceptualize your understanding of critical regionalism because it too is something that I am struggling to fully understand. I think your ending question on the first paragraph was also really thought provoking and something maybe the group who handles this debate can look further into?

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    1. Wayyyyy ahead of you there Austin! I agree with you here, I think Rachel's personal connection to this confusion on critical regionalism as well as how do we even begin to digest successful ways to hit all three of her points [environmental, cultural and emotional] is incredibly valid to prompt. Just speaking for myself here, but I think these three categories are so broad that they hold different weights to different individuals and maybe even by building type. For example, when visiting a space like this church I would expect my emotional response to be the most prominent in my experience, but maybe not so much when I go to the grocery store. In this case of everyday life shopping, I would want to feel most connected with this building on an environmental level... maybe even cultural in the type of food I buy. I understand that designing for all three response is challenging and maybe hard to successfully achieve, yet I am content with this unequal balance as long as the responses appropriate to what I am searching for are met and probably exceed what I am expecting.

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