This Gives Me Anxiety
At what point do modern extensions to
historic structures and cities surpass and overwhelm, rather than complement or
enhance?
The Royal Ontario Museum was one of the
first buildings that came to mind for me when discussing design that lacks a
sense of place: that refuses to respect and respond to its surroundings. To me, this structure seems encompass all that
aspires to this condition of complete placelessness. Not only does it not fit within the greater
context of the city, but it’s obnoxiously aggressive tectonic form also overwhelms
and diminishes the historical beauty of the adjoining 120-year old museum
structure. When I look at this, I am not
in awe of either structure but, rather, just overcome with anxiety, confusion
and chaos.
While this is an extreme example, it is true
that evolutionary forms of architecture often surpass and overwhelm the historic. As designers, we are taught right from the
get-go to always take into consideration topography, orientation, climate,
light, etc. when laying out a building on a site. But these are not the only elements that root
the building and provide it with a sense of place, or local identity. It can be easy to ignore context and form
when zoomed in on the site parcel – considering only the natural elements that
may have an impact on the design, rather the impact the design will have on the
greater context. How can we push our
designs so that, as we take part in the evolution and transformation of
architecture, we are creating pieces that complement or enhance the past,
rather than surpass and overwhelm it?
Gabrielle - I enjoyed your article and your hot-take on an iconic building. Whether one likes it or not, the boldness of the statement of the add-on makes it iconic none-the-less. I think personally I fall onto your side of feelings towards this building (some might say the add-on is a parasite in a way), but I also believe in artists expression of their work and this is certainly that. Even though I don't like it, I appreciate that there are opportunities for architects to treat architecture as an art, even if the opportunities are few and far between.
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